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Early Life and Family Background

Oasi Das was born on March 10, 1975 in the bustling city of Kolkata, the capital of West Bengal, India. She was raised in a middle-class Bengali household in the Bhowanipore neighborhood. Her father, Sudip Das, worked as a respected banker at the State Bank of India, while her mother, Rina Das, was a dedicated homemaker who took great pride in caring for the family. Oasi grew up alongside her older sister Raima, with whom she shared a close bond.

From an early age, Oasi’s parents recognized and nurtured her innate talent for the performing arts. At the tender age of five, she began taking Bharatanatyam dance lessons, a classical Indian dance form originating from Tamil Nadu. Her natural grace and rhythm quickly became apparent, and she excelled in her dance training. Oasi’s mother, a passionate lover of the arts herself, encouraged her daughter’s pursuits and often accompanied her to dance recitals and competitions.

Aside from dance, Oasi also developed a keen interest in acting during her schooling at Loreto House, a prestigious all-girls school in Kolkata. She eagerly participated in school plays and cultural events, taking on a variety of roles that showcased her versatility as a young performer. Her teachers and peers alike praised her ability to captivate an audience with her expressive performances.

Growing up in a tight-knit Bengali family, Oasi was exposed to the rich cultural heritage of West Bengal. Her parents instilled in her a deep appreciation for Bengali literature, music, and cuisine. Family gatherings often involved lively discussions about the works of renowned Bengali poets like Rabindranath Tagore and Kazi Nazrul Islam, as well as impromptu musical performances by family members. These early experiences would later influence Oasi’s artistic sensibilities and choice of roles in her acting career.

Education and Early Career

Oasi Das received her primary and secondary education at the prestigious Loreto House school in Kolkata, known for its strong academic program and emphasis on the arts. A brilliant student, she excelled in her studies and graduated at the top of her class. Das then enrolled at the renowned Jadavpur University where she earned a Bachelor of Arts degree in English Literature.

During her time at Jadavpur, Das was actively involved in the university’s vibrant theatre scene. She acted in several critically-acclaimed productions put on by the English department, honing her acting skills and stage presence in challenging dramatic roles. Das’s performances earned her recognition as a rising talent in Kolkata’s theatre community.

After completing her degree, the young and ambitious Das made the bold decision to move to Mumbai, the heart of India’s film and television industry, to pursue a career in acting. Leaving behind the comfort and support of her family in Kolkata, Das threw herself into auditioning and networking, determined to make a name for herself. Her talent, drive, and training soon began to open doors, landing Das her first roles in TV commercials and minor parts in television series. These early successes marked the beginning of what would become a remarkable career for one of India’s most beloved and respected actresses.

Rise to Fame

Oasi Das made her film debut in 1998 with a supporting role in the critically acclaimed Bengali film «Dahan» directed by Rituparno Ghosh. The film dealt with the serious issue of marital rape and Oasi’s nuanced portrayal of a young bride grappling with trauma caught the attention of critics and audiences alike. Her powerful performance earned her a nomination for Best Supporting Actress at the Bengal Film Journalists’ Association Awards and opened doors for her in the Hindi film industry.

In 2000, Oasi made her Bollywood debut opposite superstar Shah Rukh Khan in the historical drama «Hey Ram» directed by Kamal Hassan. She played the role of Aparna, the Bengali wife of Hassan’s character, torn between her husband and the tumultuous politics of the Partition era. The film was India’s official entry to the Oscars that year and was a critical and commercial success. Oasi’s captivating screen presence and her chemistry with SRK established her as a talented actress to watch out for in Hindi cinema.

Over the next few years, Oasi appeared in several notable films across genres, proving her versatility as an actress. In the supernatural thriller «Aks» opposite Amitabh Bachchan, she played a tortured spirit seeking vengeance. In Vishal Bhardwaj’s «Maqbool», an adaptation of Macbeth, her portrayal of the manipulative Nimmi won rave reviews. She played a schizophrenic in the psychological drama «Rog» and a courtesan in the period film «Antar Mahal». But her most acclaimed role came in 2006 with Vishal Bhardwaj’s «Omkara», an adaptation of Othello.

Her complex performance as the fiery and ultimately tragic Dolly Mishra earned her the Filmfare Critics Award for Best Actress that year.

By the mid-2000s, Oasi had firmly established herself as one of the most sought-after actresses in Bollywood, known for taking on challenging roles in content-driven cinema. Her rise to fame was a testament to her talent, hard work, and risk-taking ability in an industry notorious for pigeonholing actresses. With each role, Oasi pushed boundaries and garnered a reputation for her powerhouse performances, making her a force to reckon with in Indian cinema.

Notable Works and Achievements

Film and Television Career

Oasi Das has established herself as one of the most talented and versatile actresses in Indian cinema. Some of her most celebrated film performances showcase her ability to portray complex, layered characters with depth and nuance. As Nimmi in Vishal Bhardwaj’s critically acclaimed adaptation of Othello, «Omkara» (2006), Das delivered a searing performance as a young bride caught between love and betrayal. Her portrayal of Rajjo, a troubled call girl looking for a fresh start in Anurag Basu’s «Life in a…Metro» (2007), was praised for its raw intensity and emotional honesty. In the Bengali art film «Antaheen» (2009), Das brought a quiet strength and dignity to the role of Roma, a woman grappling with loneliness and the search for connection.

Das has also shown her range in more intimate, understated roles like Usha in the poetic drama «Raincoat» (2004) and Indu in the historical drama «Antar Mahal» (2005). Whether playing rural women or urban characters, Das brings a sense of authenticity and groundedness to her performances that have made her a favorite of both art house and mainstream filmmakers.

Apart from her impressive body of film work, Oasi Das has also made her mark on television. She gained widespread recognition for her portrayal of Satyabati in the detective series «Byomkesh Bakshi», based on the popular Bengali literary character. Das’s strong screen presence and ability to hold her own against seasoned actors was also evident in her performance in the coming-of-age series «Ek Tha Rusty». Her willingness to take on challenging roles in both mediums has solidified her reputation as one of the most sought-after actresses of her generation.

Theatre and Stage Performances

Despite her success in films and television, Oasi Das remains deeply committed to theatre, which she considers her first love and true artistic home. Over the years, she has consistently returned to the stage, collaborating with some of Indian theatre’s most respected directors and companies.

One of Das’s most notable theatre performances was in the lead role of Rani in Tripurari Sharma’s production of Girish Karnad’s «Nagamandala». This demanding role required Das to portray a young woman who is transformed into a goddess through a supernatural snake ordeal. Das’s powerful and transcendent performance was hailed as a tour de force, showcasing her ability to fully inhabit a character physically and emotionally.

Das also won acclaim for her intense portrayal of the title role in Satyadev Dubey’s adaptation of Sophocles’ «Antigone». Re-imagining the Greek tragedy in a contemporary Indian context, Das brought a fierce sense of justice and moral conviction to the character of a woman defying the state for a higher principle.

In Suman Mukherjee’s «Parinati», an experimental play blending folk theatre traditions with a modern sensibility, Das played multiple roles with dexterity, transforming from a goddess to a village woman to a political activist. Her riveting stage presence and mastery of vocal and physical expression made it a standout performance.

For Oasi Das, theatre is not just a creative outlet but a space for social and political engagement. Through her choice of roles and collaborations with path-breaking theatre makers, Das has used the stage to ask provocative questions and spark conversations about issues ranging from gender and mythology to power and resistance. Her enduring commitment to live performance is a testament to her belief in theatre as a vital art form and a vehicle for change.

Personal Life

Marriage and Family

In 2002, Oasi Das married her longtime boyfriend Ayan Mukherjee who is a film director. The couple met during their college days in Jadavpur University and dated for several years before tying the knot. They have two children together — a daughter Meghna born in 2005 and a son Rohan born in 2009.

Oasi is known to be a devoted wife and mother who prioritizes family despite her busy acting career. In interviews, she has credited her husband for being a constant pillar of support and her children for bringing joy and balance to her life.

Hobbies and Interests

Outside of acting, Oasi Das has several hobbies and interests. She is an avid reader and enjoys books across genres, especially Bengali literature. Traveling is another passion and she likes exploring new places with her family on holidays.

Oasi is a trained Odissi dancer and continues to practice and perform the classical dance form when time permits. She is also a foodie who loves trying out different cuisines and is known to be a good cook herself specializing in Bengali dishes.

Philanthropy and Social Activism

Oasi Das supports various humanitarian and social causes. She is particularly vocal about women’s issues and child rights. Some of her philanthropic efforts include:

• Working with NGOs to promote education for underprivileged girls
• Campaigning against domestic violence and supporting victims
• Advocating for better working conditions for women in the unorganized sector
• Helping raise funds for paediatric cancer patients

In 2018, Oasi was honoured with the Nari Shakti Puraskar, India’s highest civilian award for women, in recognition of her outstanding contribution to women’s empowerment through her work in cinema and social activism.